Marie André’s images and shots play on proximity and difference. They are carried by men and women who wake up, talk to each other, work, and the narrative link is simply that of the filmmaker, of the filmmaker’s gaze, who constructs her film like a musical score with movements, repeats, extensions or stops of themes of great fluidity.
Jacqueline Aubenas
Marie André films, without commentary, without interviews. Fans of social situations, everyday gestures. It is in the details, in small touches that the Russian particularities appear.
André Violier
Production : Paradise Films
Coproduction : CBA, RTBF (Carré Noir)
With the support of the Centre du cinéma et de l’Audiovisuel de la Fédération Wallonie-Bruxelles